Imagine the ability to combine the best and
defining characteristics of different overdrive & boost pedals in order to
create hybrid sounds no one has ever played through before. That is exactly
what we've engineered with the Noble Screamer. It’s a 4-in-1 pedal that gives
you two very f..
Andy Timmons Inspired ModTube Amp Asymmetric ClippingEnhanced Tone SwitchEngineering the perfect overdrive… again! (And this time we brought a friend.)There is something special about a Keeley Modded Blues Driver. There’s something even more remarkable about Andy Timmons’ tone. Since his exposure to..
The Axis For A Bold New Tone
With the Keeley Monterey Workstation you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for ..
The Loomer is a Wall-Of-Fuzz drenched in a Wash-Of-Reverb.
Heavy Gain, Soft Focus, Reverse, Cascading Octave Feedback, Tremolo Bar Strummed Reverb.
A stoned, morning floaty, messed up, thrill machine is what it is. Washes of reverb in new ways you’ve not heard in a stomp box before..
Eons is a five-state fuzz capable of massively thick sounds ready to test the limits of any amp's grill cloth. Use the Voltage (lightning bolt) knob to crank up to 18 volts into the pedal's circuit for massive, open fuzz sounds, or choose to starve it down to 3 volts for spatty, gated fuzz.For Eons,..
The Melee Wall of Noise is a distortion + reverb combo that unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now.We give you the t..
ROSS FuzzThe ROSS Fuzz did not exist in previous ROSS history. This circuit was pulled from the Kustom amplifiers made by Bud Ross. John Fogerty used the Kustom amp’s distortion for hit songs like “Run Through the Jungle” and “Fortunate Son.” Other artists like the Grateful Dead, Leon Russell, the J..
ROSS DistortionThe ROSS Distortion is an op-amp, hard clipping distortion built around the classic 1970s topology seen in pedals like the MXR Distortion Plus, the DOD 250 and the ProCo RAT. While this pedal can be used in almost any situation, it excels at creating natural tube-like distortion and p..
In the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos S..
Andy's Overdriven Tone and MoreIf you're looking to nail Andy Timmons's signature tone, then it's waiting inside the JHS AT Drive V2. And with the addition of an independently switchable boost circuit, there's more onboard the AT Drive than ever before. Andy kept the tone and feel of his original si..
ANGRY CHARLIE V3OVERDRIVEThe Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres..
The Golden Boy Mini - the epitome of versatile and transparent overdrive, designed in collaboration with the renowned guitarist Joey Landreth. With its exceptional harmonic detail and abundant headroom, this compact overdrive pedal takes the concept of transparent overdrive to new heights, using a s..