The Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds going from a suggestion of dirt to full-on distortion and is equally imp..
Get the exact same tone and drive as the 1970s original!With the price of vintage Hot Tubes soaring, countless guitarists have requested that we re-issue our 1970s Hot Tubes. Since its initial release in 1978, countless musicians have prized the scorching tube amp simulation the Hot Tubes delivers. ..
The Warhorn / Ages combines one of Walrus Audio's oldest and newest overdrives into one enclosure. The Warhorn side gives you a more-transparent overdrive with symmetrical or asymmetrical clipping options, while the Ages five-state overdrive gives a huge range of low- and high-gain tones. The pedal ..
Eras is a no apologies, high-gain distortion that’s ready to chug, shred, and palm mute with tight response and multiple clipping options.Eras is a no apologies, high-gain distortion that’s ready to chug, shred, and palm mute with tight response and multiple clipping options. Use the Blend knob at m..
The Axis For A Bold New Tone
With the Keeley Monterey Workstation you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for ..
The Loomer is a Wall-Of-Fuzz drenched in a Wash-Of-Reverb.
Heavy Gain, Soft Focus, Reverse, Cascading Octave Feedback, Tremolo Bar Strummed Reverb.
A stoned, morning floaty, messed up, thrill machine is what it is. Washes of reverb in new ways you’ve not heard in a stomp box before..
OVERDRIVE / DISTORTION / PAUL GILBERT SIGNATURE MODELJHS Pedals is proud to release the Paul Gilbert signature distortion "PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the ..
The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about whic..
The Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean ton..
EXPANDORA AT HEARTThe Kilt V2 still has the fantastic circuit at the heart of the version one: a heavily tweaked Expandora style dirt box that gives you more tonal options than you might ever be able to use. We use a specifically chosen op-amplifier that offers super low noise, improved slew rate fo..
The Double Barrel V4 is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face-melting distortion here, but you will find overdrive with the character and stacking abilities to cover almost any tonal need. So let’s look at the Double Barre..
Andy's Overdriven Tone and MoreIf you're looking to nail Andy Timmons's signature tone, then it's waiting inside the JHS AT Drive V2. And with the addition of an independently switchable boost circuit, there's more onboard the AT Drive than ever before. Andy kept the tone and feel of his original si..