The Axis For A Bold New Tone
With the Keeley Monterey Workstation you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for ..
Eons is a five-state fuzz capable of massively thick sounds ready to test the limits of any amp's grill cloth. Use the Voltage (lightning bolt) knob to crank up to 18 volts into the pedal's circuit for massive, open fuzz sounds, or choose to starve it down to 3 volts for spatty, gated fuzz.For Eons,..
The Melee Wall of Noise is a distortion + reverb combo that unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now.We give you the t..
ROSS FuzzThe ROSS Fuzz did not exist in previous ROSS history. This circuit was pulled from the Kustom amplifiers made by Bud Ross. John Fogerty used the Kustom amp’s distortion for hit songs like “Run Through the Jungle” and “Fortunate Son.” Other artists like the Grateful Dead, Leon Russell, the J..
The Hizumitas was designed for the one and only guitar sorceress, Wata, from the legendary band, Boris! We could not be more excited to have the honor of working with such an iconic legend known for her crushing riffs and mind-melting leads. The Hizumitas is a faithful sonic recreation of her go-to ..
The Hoof Reaper features our popular Hoof® and Tone Reaper™ fuzz pedals in one handy enclosure with the added bonus of an old school analog octave up. It was originally released as a special limited run item back in 2010 and demand was so high that we decided to reintroduce it back into our line. Ca..
Introducing the Keeley Moon Op Amp FuzzNew MoonThe Moon Op Amp Fuzz is a supermassive destroyer, spinning galaxies of gain. Tidal wave bass response gives you tones heavy as gravity itself.The filter control offers an expanded range of usable tones and the filter switch gives you three distinct EQ p..
Originally designed by Josh Scott of JHS Pedals and graphic designer, Daniel Danger as a homage to Electro-Harmonix in what Josh and Daniel consider the company’s design heyday of the 1970s, the EHX Lizard Queen Octave Fuzz is a nano-sized version of the pedal brought to life by the engineers at Ele..
With original late-70s Op-Amp Big Muffs selling for exorbitant prices, Mike Matthews decided to take the power to the people and reissue the classic pedal at a price that players could afford! The circuitry of the new Op-Amp Big Muff —sometimes also referred to as the IC or V4 Big Muff— has been fai..
EXCLUDED FROM ANY COUPON OR DISCOUNT. The T4 is our take on the classic 4 transistor fuzz, similar to the circuits used in the big muff and countless other variants. What sets the T4 apart is a flattened EQ curve that brings the mids back in and helps cut through the mix. It also has been softe..
For the Fundamental Series, we challenged ourselves to design a set of pedals with the tonal integrity that’s required to live on a professional’s pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the..
The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about whic..